Check out Takumi’s NEW English youtube channel🎵
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https://www.youtube.com/@takuway
What kind of sound flows through your world?
I love the worlds of "The Girl Who Leapt Through Time" and
the "Pocari Sweat commercials."
https://www.youtube.com/watch?v=PgDZDmy05X4
https://www.youtube.com/watch?v=gn5lk6isyGc
https://www.youtube.com/watch?v=hCJYJgtbHMM
What do you think?!
I want to spend such a rich time again.
I want to deliver such wonderful moments once more.
If there was a YouTube channel born from that,
Would you spend time with me?
Pomodoro ✖️ Youth.
The unique time that flows after school.
Light and shadow, movement and stillness,
Everything is packed into a single moment,
Always holding the potential to be revisited.
I was invited by "Female Sushi Chef" Noriko Nishimura
to the sushi restaurant Sushi & BAR Fujirou at the Shin-Marunouchi Building in Tokyo!
I met up with "Film Director" Yukiko Mishima
And let me tell you,
the sushi was absolutely amazing.
And,
Director Mishima was absolutely incredible.
I was able to ask a lot about movies today, but every time,
the conversation would stop with, "This sushi... it's amazing!"
However,
I learned something incredible from Yukiko Mishima!
When I asked,
"Which is more prevalent in your work—your own script or someone else's? Which is harder to shoot?"
I learned that there's actually no difference between the two.
The realization hit me:
It's not like I’m shooting my own script and then someone else’s script.
It’s all my script.
I came to understand that the script I write with the help of others’ perspectives (weapons) is still mine.
The angle from which you view things:
"How about this for a birthday gift?"
"Sounds good!"
But then, when I actually think about whether I'd send that gift to a friend,
I’m like, "Hold on, maybe there’s something else better."
When someone suggests, "This hairstyle suits you!"
I’d say, "Yeah, that's nice!"
But when it comes down to actually getting that hairstyle, it’s a different story.
That realization really surprised me.
I was on the edge.
I was in danger.
The director also mentioned that when working with great screenwriters, you can fall into that trap.
I was completely overwhelmed by the greatness of screenwriter Saijo,
and I didn’t have that perspective.
(＊Mishima’s photo is the one that evokes the most story!!!)
That’s why I think
this "Theater Baked Sweet Potato" is spot on.
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We shoot from scratch, with nothing at the scene.
Everyone experiences the minimal state of filmmaking together.
I’ll write down the lessons I learned from the movie here!
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OPEN CHAT group
It was a time to align the steps on the Life Map! Thank you, Hiro-kun!
Thank you！
Task Manager, thank you!
The Gundam project!!!
Link to Takumi Yamazaki’s
ENGLISH Book “SHIFT”
