Check out Takumi’s NEW English youtube channel 🎵
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https://www.youtube.com/@takuway
When I entered this,
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this is what I got!
↓↓↓ With this prompt ↓↓↓
Use the attached image as the sole reference for the same person and the same photo-shoot series.
Faithfully carry over from the attached image the person's facial features, hair, body type, clothing, skin texture, quality of light, color tone, film feel, atmosphere, and the photographic world as a whole.
However, do not reproduce the attached image itself. Do not copy any of its composition, pose, camera position, angle, shooting distance, cropping, or screen layout.
Reconstruct this person and this world as though the person exists inside a single film.
Not merely variations of fashion photography, but a photo series that stands as "nine moments cut out of a film."
Give each of the nine images a different visual drama and narrative quality.
Make clear differences in situation felt: a moment of the person waiting for something, a moment of gazing at something, a moment of moving, a moment of stillness, a moment of existing far away, and so on.
However, do not rigidly specify particular places, props, or events; develop them naturally within the range of the world that can be read from the attached image.
Treat light not as simply beautiful, even lighting but as cinematic lighting.
Boldly incorporate strong light and deep shadow, partial backlighting, silhouettes, moments when light catches only part of the person, a person emerging from darkness, light coming in from afar, and light that suggests a change in the time of day.
Through light and shadow, create within the photographs emotional shifts that do not rely on words: tension, stillness, lingering resonance, solitude, anticipation, anxiety, a sense of release.
Overall, make it a highly refined cinematic photo story that sits between high-fashion editorial photography and a scene from a film.
Each of the nine should be a complete, independent photograph, yet when arranged together it should feel like looking at fragments of a single film.
[Composition of the Nine Images]
Arrange the nine images in a 3×3 grid.
Across all nine, vary significantly the shooting distance, how much of the frame the person occupies, camera height, viewpoint, how the body is cropped, and the relationship with the space.
Deliberately mix the following visual scales:
• Extreme close-ups of parts such as the eyes, face, hands, fingers, feet, and legs
• Photos that crop out only a part of the body
• Photos centered on the back or the person seen from behind
• Medium-distance portraits of the person
• Full-body photos capturing the whole body
• Photos with the person placed small at an edge or corner of the frame
• Long shots in which the person exists small within a vast space
• Photos in which the scale of the space or landscape is felt more strongly than the person
• Cinematic wide shots in which the person occupies only a tiny part of the frame
Clearly contrast photos in which the person fills the frame with photos in which the person occupies only a very small part of it.
Change the camera viewpoint significantly too.
Do not limit yourself to eye level; combine low viewpoints, high viewpoints, distant viewpoints, viewpoints from behind the person, and viewpoints that capture the person across a space.
Do not lean toward frontal views only; actively use profiles, back views, compositions where only the body is visible, compositions where the face is outside the frame, and compositions where only part of the person enters the frame.
Use a different composition in every one of the nine.
Do not repeat similar face close-ups.
Do not repeat the same pose.
Do not repeat the same shooting distance.
Do not repeat the same camera angle.
Do not repeat the same way of cropping the body.
Do not create similar shots that differ only in face direction or gaze.
Each of the nine must stand as a strong image on its own.
[Cinematic Expression]
Compose the photographs not as "photos of a person posing" but as "a scene from a film that the camera happened to witness at that moment."
Through the person's gaze, body orientation, light, shadow, space, and distance, let the viewer imagine what happened before and after.
Use cinematic direction that makes use of blank space and silence, not explanatory direction.
Mix quiet moments and dramatic moments.
Combine photographs with strong contrast and photographs that are quiet and delicate.
Let the series as a whole convey cinematic tension, dramatic natural lighting, emotional atmosphere, visual storytelling, film still aesthetic, cinematic framing, quiet tension, dramatic shadows, and poetic realism.
However, do not make it overly artificial like a movie poster, CGI-like, or overdone.
Make it stand as a photoreal, live-action photograph, above all.
Maintain high-fashion-magazine editorial quality, delicate grain as if shot on 35mm film, natural human anatomy, realistic skin, subtle gradations of light, cinematic contrast, shallow depth of field, dimensional shading, and unified color grading.
[Important]
Generate not "nine images that reproduce the attached image" but "nine other cinematic moments of the same person and the same world, born from the attached image."
Use the attached image only as the reference for the person and the photographic world, and do not imitate its composition or pose.
When the nine are arranged together, they should not be merely nine kinds of portraits, but should have visual continuity, as if looking at fragments of a single film centered on one person, while each photo also has clear independence.
[Output]
One square image.
Within it, place the nine photographs in a 3×3 grid, perfectly evenly.
Each of the nine must be clearly recognizable as an independent photograph.
Include absolutely no gaps, margins, frame lines, borders, text, captions, logos, or watermarks.
[Important: About the Borders of the 3×3 Layout]
Arrange the nine photographs in a 3×3 grid, but do not put any border at all between the photographs.
Do not use white lines, black lines, thin lines, thick lines, frames, dividers, borders, or frames of any kind.
Do not separate the nine photographs with lines; make them directly adjacent.
Photoreal. High-fashion editorial. A scene from a film. Dramatic. Quiet tension. Visual storytelling.
Same person, same world. But all nine with different composition, distance, viewpoint, scale, and way of cropping the body.
The top priority is to achieve both "maintaining the same person and the same photographic world" and "changing the composition and scale boldly enough that the nine are clearly felt as separate cinematic moments."
Gurudev talks about the secret to not destroying an important friendship.
#Gurudev #Friendship #BreathingTechniques #Meditation #ArtOfLiving
This applies to family and romance too, doesn't it?!
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10 Famous Quotes from Hippocrates
"Disease is something a person cures by their own power; the doctor merely assists in it."
These words form the foundation of Hippocrates' medical thought, which stressed the importance of natural healing power.
"A disease that cannot be cured by food cannot be cured by a doctor either."
A famous saying showing how directly daily eating habits connect to maintaining and improving health.
"A sound mind comes from a sound body (or: the soundness of the body comes from the soundness of the mind)."
It strikes the truth of the mind-body connection: that mind and body are inseparable and closely related.
"Walking is man's best medicine."
The teaching that regular, moderate exercise is the finest cure-all for staying healthy.
"Everyone has a doctor within them. The true doctor's job is to help that doctor do its work."
It praises the wonder of the "natural healing power" that everyone is born with.
"The path a sick person takes is capricious. Sometimes the illness is cured, sometimes it worsens. But what matters most is not the disease itself but the 'person' who has the disease."
The origin of "holistic medicine," which attends not only to the name of the disease but to the patient's whole mind, body, and life background.
"The best way to keep a sound body is not to overeat, and not to shrink from hard work."
He holds that a moderate diet and moderate work (activity) are the best measures for preventing disease.
"All diseases begin in the gut."
As modern gut-microbiome research is also showing, these words display the foresight that the health of the digestive system governs the health of the whole body.
"In treating disease, rest and diet have far greater effect than the treatment itself."
It means that before relying on medicine or medical procedures, you should first rest the body well and take in nourishment; that is the basis of healing.
"Life is short, the art is long, the opportunity fleeting, experience misleading, judgment difficult."
These words open Hippocrates' "Aphorisms" (a collection of golden sayings), and teach the depth of medicine and of life, and the importance of humility.
Link to Takumi Yamazaki’s ENGLISH Book “SHIFT”
https://amzn.to/2DYcFkG
Original post (Japanese): https://ameblo.jp/takumi-yamazaki/entry-12980737919.html
