Thursday, August 27, 2026

Today Is a Magic Moment!

Check out Takumi’s NEW English youtube channel 🎵
↓↓↓
https://www.youtube.com/@takuway

 

Now, time to make tomorrow’s materials!

 

 

◼Magic Moment Theme

“STAND UP — Awaken to Your Mission”

 

◼Speaking order

① A surge forward from the origin: Katsunari

② Noticing your own value: Fujimoto

③ Making your life shine: Takuya

④ Opening up possibility: Keisuke

⑤ Putting learning into practice and widening your circle: Takumi

 

 

 

“You look busy — but are you slacking off on your life?”

 

Ayumu Takahashi once said that to me.

In that moment, time stopped for a second.

 

I’m busy.
My schedule is packed.
I’m working.
I’m meeting people.

So I figured I was “properly moving my life forward.”

 

But being busy and moving your life forward are not the same thing.

 

 

I’d really appreciate your support!

Open Chat: “The Society to Support Director Takumi Yamazaki”

   You can join from here (nicknames welcome)

 

And it is turning out to be quite a handful (lol).

 

 

Honestly, it’s rough.

But it’s fascinating.

 

Because a version of myself I had never used before keeps coming out, one after another.

 

At the audition, to the actors:

“Could you bring the intensity down a little?”

“Add a bit more affection toward the other person, and let’s take it once more.”

Words like that come out of my own mouth.

 

And every time, I think:

“Ah — so this version of me existed too.”

 

 

I’ll start once I’m able to do it.

I’ll take it on once I have some confidence.

 

 

Because you take it on, what you need to learn comes into view.

Because you take it on, you see what you’re missing.

 

 

If you never step into the ring, you’ll never meet “the you who’s in the ring.”

 

 

“That Takumi Yamazaki is doing this for real.”

“That Takumi Yamazaki is breaking a sweat.”

“That Takumi Yamazaki is putting his life on the line.”

 

That has to come across, he said.

 

The moment I heard that, I thought, “Ah — it’s resolve.”

 

Not motivation.

Not talent.

 

 

It’s the same with this film.

I don’t want it to end as just “oh, Takumi Yamazaki started something new again.”

 

 

That’s what I go and tell them.

 

 

 

Take a high school baseball player aiming for Koshien.

Of course not, right?

 

In all the time leading up to it, there are the teammates you meet.

There’s frustration.

There’s growth.

There are memories you’ll never forget as long as you live.

 

Whether or not the dream came true, the process itself is packed full of life.

 

So lately I’ve been thinking: “Can’t we aim for exciting goals in exciting ways?” (as Keisuke Oshima puts it)

 

Whether a dream comes true or not.

That matters too.

 

But can you like the person you are on the way to making it happen?

 

Are you enjoying the road itself?

 

And it’s fine to go through a stretch of “I don’t know what my dream is.”

 

If you don’t have a dream of your own, it’s fine to cheer for someone else’s.

 

 

 

The Straw Millionaire is the same. (as Tanakacchan puts it)

 

 

Maybe the greatest fortune he gained wasn’t the mansion, but “the experience of being useful to people and being glad-hearted about it.”

 

A dream isn’t something you hold only to change your future self.

 

The moment you have a dream, “who you are right now” changes.

 

If you think only about achieving your goals, before you know it you start choosing only “goals that look achievable.”

 

But.

A little scary.

A bit reckless.

No telling how it’ll turn out.

It’s precisely a goal like that which makes who you’ve been until now not enough, and lets a new self come out.

 

 

Not slacking off on your life doesn’t mean staying busy all the time.

 

It means taking yourself to the places where you can meet a new self.

 

And properly enjoying the road along the way.

 

For me right now, that is “the movie.”

 

And the challenge of “A70”!

 

So then — what is your own big “here goes!”?

 

 

 

 

When I Listen to “Garasuzaka,” I Get to Meet the Boy I Was

When I was in elementary school, I loved Mizue Takada.

 

I saved up my allowance to buy her records, and I even wrote her fan letters.

Looking back, for a boy in elementary school, buying a single record was a big event.

 

Even when I wanted one, I couldn’t just go get it.
So I’d think it over again and again, still want it, and head out clutching my allowance in my fist.

The time spent listening to that record back home, the time spent wondering what to write in a fan letter — all of it was special.

 

Even now, when I listen to Mizue Takada’s “Garasuzaka,” something strange happens.

The moment the intro plays, time rewinds.

The scenery I was looking at back then.
That slightly embarrassed but uncontainable feeling of writing a letter to someone you love.
The me who needed no reason, no weighing of gain or loss, in order to love something.

Maybe memory doesn’t live only inside your head.

It lives inside songs too.
Smells, scenery, even the way your heart raced back then — all of it quietly preserved inside one song.

 

So when you listen to a song you’re nostalgic for, you don’t just remember the past — the emotions of that time come back too.

Music is a time machine.

 

And what it carries you to isn’t only a place in the past.

The me who loved someone with everything he had.
The me who listened so carefully to the one record he’d bought with his allowance.
The me who was nobody yet, but whose heart moved in a straight line.

Every time I listen to “Garasuzaka,” I go to meet that elementary-school version of myself.

 

And I remember, just a little.

To simply love what you love.

That feeling is something you never have to let go of, no matter how old you get.

 

↓↓↓

 

 

 

The Boy I Was, and the Dragons Today

When I was in elementary school, I always wore a Chunichi Dragons baseball cap.

 

Going to school, going out to play — always.

That cap was not just a cap.

The moment I put it on, I felt a little stronger.
 

It felt like I had become part of the Dragons myself.

 

When they won, I was happy.
When they lost, it really stung.

 

A baseball result could shake my heart that much.

 

As I grew up, my daily schedule filled out.
There was work, there was travel, and more and more to think about.

I’d assumed the boy who ran around in that Dragons cap had drifted somewhere far away.

 

And yet right now, that boy is back.

 

Because the Dragons are charging hard for third place.

 

On August 26, 2026, they beat league-leading Hanshin 4–0, a second straight win after the day before. The gap to third-place DeNA has narrowed to 1.5 games.

 

There aren’t many games left.
It isn’t an easy situation.

 

Even so, they’ve come within reach.

Cheering at a time like this is irresistible.

 

It isn’t only about winning and losing.
“It isn’t over yet.”
Seeing a team that makes you believe that gives me strength too.

Come to think of it, life might be the same.

 

It doesn’t have to go smoothly the whole way.
You can stumble as many times as you like along the road.

 

Don’t give up until the end — go take the one game in front of you.
Sometimes that accumulation carries you to a place you never imagined.

 

The Dragons I loved so much.

 

No — that wasn’t past tense.

I still love them, just as much.

 

Together with the elementary-school me in that Chunichi cap, let me cheer for them for real, one more time.

 

Go, Dragons.
It starts here!

 

 

Ayaka Monobe’s challenge!!!

Let’s all go together!

 

So exciting!

 

 

And Hayato is doing a live show too!

Please give this one your support as well!

 

 

 

Information related to Takumi Yamazaki’s Amway is here

 

Open Chat: “Takumi Yamazaki’s Amway Info”

 

 

●Osaka & Nagoya

 

https://timeless-on.com/

 

 

The president of RIRAKU

 

 

Global Dining Inc.’s president

 

KAT-TUN Junnosuke Taguchi

I got to spend time with them!

 

 

With Yoshiyuki at the PLAYFULLY shoot

PLAYFULLY+

Recording for “The Other Upline,” PAI!

 

It’s getting a refresh~

 

↓↓↓

 

 

 

 

 

After the other day’s acting rehearsal.

 

An outstanding lesson from Yuki.

 

The exercise where you prepare cushions and balls and hand them to your scene partner along with the line — electrifying!

 

The movie is moving forward, faster and faster!

 

Open Chat: “The Society to Support Director Takumi Yamazaki”

I share information here!

 

↓↓↓

 

https://line.me/ti/g2/ho2HRxeOrHrI9s01HFn5bdUtv-bjzVHbMPKvrA?utm_source=invitation&utm_medium=link_copy&utm_campaign=default

 

 

 

Link to Takumi Yamazaki’s ENGLISH Book “SHIFT”
https://amzn.to/2DYcFkG

Original post (Japanese): https://ameblo.jp/takumi-yamazaki/entry-12976928740.html

Wednesday, August 26, 2026

Leadership: "Leaders are Dealers of Hope"

Check out Takumi’s NEW English youtube channel 🎵
↓↓↓
https://www.youtube.com/@takuway

 

Preparing for the movie.

The excitement won’t stop.

 

Everything that stands in my way is what turns me into a director.

 

Three hours of sleep, three days running, my head going hazy — and that’s exactly when I start getting serious~~~

 

Thank you so much!

 

 

The elevator, in a haze.

Costume meetings.

Script meetings.

Meetings with the cast.

 

 

The time at LDH was a wonderful time too!

 

〜〜〜

 

I haven’t been able to update the blog, so I’m putting up these last few days all at once!

 

 

 

 

Everything has been dug all the way down to W2.

 

↓↓↓

 

It is all moving by the will of God.

 

↓↓↓

 

A view from above.

A God’s-eye view.

 

 

I’ve put together a summary of the talk live with Ayumu Takahashi!

 

↓↓↓

 

1. The Meeting and the Origin: A Reckless Challenge and Launching a Publishing House

  • How they met:About 28 years ago, they were introduced through a mutual acquaintance. At the time, Ayumu Takahashi had just launched Sanctuary Publishing (he was in his mid-twenties), and Takumi Yamazaki had no track record as an author yet.
  • Early heat and action:
    • Takahashi started from the idea that “if nobody will publish my book, I’ll build my own publishing company,” and put out his autobiography while still completely unknown. He carved out the road by doggedly repeating unglamorous bookstore sales work — cold-calling shops, building relationships with the staff — alongside his friends.
    • Yamazaki practiced the law of imagining and acting as “the self who has already become an author,” and after pitching to Takahashi, made commercial publication a reality.

2. Their Stances and Their Relationship: Destroying the Safety Zone

  • Different values around risk:
    • Yamazaki: the type who wants to take on the next challenge while protecting the results (the base) he has already earned.
    • Takahashi: the type who wants to test himself and break his own frame, even if it means betting everything he has.
  • The essence of the relationship:For nearly 30 years Yamazaki has kept drawing stimulation from Takahashi’s off-the-charts drive and vibes, and trusts him as the presence who breaks the frame whenever he is about to settle into the safety zone.

3. Taking On Filmmaking: Facing It as an Amateur, and Gaining “Resolve”

  • Diving into unfamiliar territory:To realize the wish he had held for years — “I want to shoot a film” — Yamazaki takes on filmmaking as a first-time director. Through casting, auditions, and script adjustments, he learns the production process at top speed while getting his baptism in the professional world.
  • Advice from Daisuke Yosumi:
    • Producer Daisuke Yosumi pointed out the importance of “being serious, breaking a sweat, and putting your life on the line.”
    • He was confronted with the risk of being read as “someone with a past track record starting something new on the side,” and felt his own complacency keenly.
  • A change in how he faces the team:By speaking his resolve and his self-reflection honestly to the production staff at a script meeting, he earned the trust of the crew (the assistant director and others), and the whole team came together as one.

4. The Film’s Core Concept and Roadmap

  • Making something for just one person:
    • Made on the principle that “a million-seller is not born from the greatest common denominator, but from something made for one single person.”
    • The target (persona) for this work is “a woman in her early fifties.” The aim is a film that goes straight to the heart of “the moment a woman who has lived for others — through marriage, childbirth, raising children, caregiving — begins to live her own life once again.”
  • Production schedule:
    • September 2026: Shooting begins
    • February of the following year: Full package (editing complete)
    • After film festival submissions and so on, release is planned for the autumn of the following year (title: connected to “The Motivation Switch!”).

 

 

 

 

A live of songs and talk with Miyazaki.

It seems like Miyazaki and I are a really good match.

 

 

Morley too — thank you~~~

 

 

 

To everyone who took part, thank you so much!

 

 

 

 

Laughing,

laughing,

singing,

singing.

 

 

 

 

 

 

 

 

 

 

 

 

We sang together!

 

 

And then — enka!

 

 

I’ll post the video on Facebook!

↓↓↓

 

 

Thank you so much!

 

 

 

 

 

 

 

 

 

 

This one is wild.

 

↓↓↓

 

 

https://www.threads.com/share/_mqtI0I_x/

 

 

An AI genius!

Thank you so much!


 

 

Task manager.

And then, back treatment and coaching.

Thank you so much!

 

 

John Maxwell

On Leadership

 

 

Here is a theoretical, step-by-step summary of the explanatory video on John Maxwell’s laws of communication (“16 Laws of Communication”).

1. Introduction: The Importance of Communication

  • Positioning: Quoting Warren Buffett, communication ability is positioned as “the top-priority skill to develop” when it comes to raising your own value [00:00].

  • Basic principle: It starts from the premise that a speech exists not for yourself, but “for the listener” [02:32].

2. The Four Main Laws of Communication (A Step-by-Step Process)

① The Law of Connection

  • Core: The essence of communication lies in facing not “yourself” but “the other person”[02:01].

  • In practice:

    • Before going on stage, it matters to deliberately place yourself in the empty seats or out on the floor, and imagine and experience the listener’s viewpoint and state of mind [03:06].

    • Rather than turning listeners into passing “fans” (people who praise you), take the approach of lifting them into “friends” (practitioners) who can stand on their own and grow[07:05].

    • The biggest obstacle: You have to let go of “clinging to yourself” (self-consciousness) and free yourself from your own pride and reputation [05:19].

② The Law of Visual Expression

  • Core: The principle that “show and tell” is overwhelmingly more effective than telling with words alone [00:25].

  • Elements:

    • Make the fullest possible use of body language — physical movement, gestures, changes of expression [11:09].

    • Even when something goes wrong (a music stand collapsing, say), if you aren’t fixated on yourself you can turn it into humor, and it actually deepens the sense of unity and closeness with the audience [15:13].

③ The Law of Anticipation

  • Core: The technique of setting the table in advance so that listeners feel anticipation for what is coming [24:27].

  • Mindset:

    • Hold the proactive view that it isn’t “a good audience makes me good,” but “a good communicator makes the audience’s experience good” [31:16].

    • Placing stronger conviction and value on what you are about to say than anyone else in the room is what raises the audience’s anticipation [32:44].

④ The Law of Content, and a Practical Approach

  • Core: The question is how to structure valuable content so that it is easy to understand [33:27].

  • Three stages of structure:

    1. Building the runway (the opening): Start from a shared topic the audience can relate to, a question, or heartfelt empathy (self-disclosure), so the idea takes off smoothly [34:54].

    2. Using deliberate pauses (silence): Bring in silence on purpose to give listeners time to follow the thought and to emphasize the important messages [42:08].

    3. Phrases that create an “echo” (wordsmithing): Choose catchy words that stay in the memory and make people want to repeat them, like “give up to go up” [46:37].

3. The True Purpose of Communication: The Law of Results

  • The ultimate goal: The final success of communication lies not in the mere transfer of knowledge (knowing), but in producing “action and change” [01:13:21].

  • From emotion to conviction: Motivation driven by momentary “emotion” doesn’t last, so moving people toward action out of deep “conviction” is the key to leaving a lasting impact on a listener’s life [01:16:06].

 

↓↓↓

 

Leaders are dealers in hope.

 

The Meaning and Core of “Leaders Are Dealers in Hope”

  • Show a vision of the future

    • A leader’s greatest role is not only to deal with the problems happening right now, but to point to “where we go from here” and “what a wonderful future is waiting.”

  • Most needed precisely in hard times

    • When a team or an organization is facing adversity and confusion, what people need most is not a pessimistic analysis of reality, but the conviction that “we can get out of this,” and forward-moving energy.

  • Hope is the source of energy

    • Maxwell teaches that human beings only take action, and gain the strength to face difficulty, when there is hope. A leader has to be the “dealer (supplier)” who supplies that hope to the organization.

Principles of Action for a Leader to Become a “Dealer in Hope”

Based on John Maxwell’s leadership theory, these are the points a leader should stay conscious of in order to generate hope and deliver it to their members.

  • Look reality straight in the eye without losing optimism

    • Rather than turning your eyes away from harsh reality, embody a healthy optimism (resilience) that says “we can get over this wall.”

  • Paint a clear, exciting vision

    • Present a concrete, appealing destination — one that members can connect with, that makes them think “I want to work under this person” and “I want to make this future real.”

  • Celebrate small wins (small steps)

    • On the way toward a big goal, don’t let small results and small progress slip by unnoticed — acknowledge them, celebrate them, and you hold the team’s morale and hope together.

  • Believe in your members’ potential all the way through

    • The leader themselves has to believe from the heart that “these people can do it.” The leader’s trust turns into the members’ own sense of self-efficacy and hope.

Just as Maxwell defines it — **“Leadership is influence”** — the influence that lights a fire of hope in people’s hearts and drives them to action is the very proof of an outstanding leader.

 

 

 

Terry.

 

 

Dai!

 

 

 

The PLAYFULLY crew.

Thank you so much!

 

 

PLAYFULLY+

 

 

 

 

 

Thank you so much!

 

 

 

 

 

 

 

Surrounded by the beauties of Takarazuka…

 

 

 

Thank you always for everything!

 

 

 

Nishizawa’s block-clearing session!

 

Morikumi’s Lemon Products

So good~~~!

 

 

Masumoto is absolutely killing it!

 

 

 

And thank you to everyone at Yakiimo too!

 

Check out the short dramas too!

 

 

 

 

 

 

 

 

 

 

 

Link to Takumi Yamazaki’s ENGLISH Book “SHIFT”
https://amzn.to/2DYcFkG

Original post (Japanese): https://ameblo.jp/takumi-yamazaki/entry-12976806475.html